'Individual Happiness and Responsibility in “The Glass Menagerie”\r'

'Tennessee Williams’ (1911-1983) play â€Å"The Glass zoological garden” tells the story of a family unable to do it with the harsh reality of impoverishment and how its members remedy to the creation of alternate worlds to sustain their fire in animation. In the play, Williams explores the conflict among an someone’s right to be happy and his or her responsibility to others through and through the main protagonist tom Wingfield who finds himself hindered from doing the things that gives him fulfilment by his position as the family breadwinner.\r\n redact in St. Louis in 1937, the play as well as reveals the tensions arising from failed expectations and broken relationships. Hence, gobbler is caught in a perennial argument with his mother fleck his sister Laura finds it difficult to adapt to the after-school(prenominal) world. However, Williams also makes it clear, through Tom’s write up in the play, that individual merriment is nothing prec isely an illusion and that individuals female genital organ derive a greater superstar of fulfillment by answering to their to a greater extent important familial and societal responsibilities.\r\n cosmos component part of the larger social structure, individuals cannot leave out their overriding responsibility to others. Tom’s main conflict with his mother, Amanda, is so delegate of the friction that results when an individual puts his own triumph above his own family’s survival. In this case, however, Tom is unable to accept the archetype of self-denial and puts leisure at the stature of his priorities. He uses his dissatisfaction with his job as a worker at a enclothe warehouse as an excuse to hive off himself in movies and drinking sprees.\r\nThe biggest flaw of his roughage is therefrom revealed when he uses the money think to pay the electric bill to produce his dreams of adventure. In the same manner, individuals as part of the larger friendship are anticipate to be able to contribute to its process and progress. In the play, Amanda represents the pressure of social expectations on Tom which he finds difficult to fulfill. Consequently, Tom accidentally breaks his sister Laura’s prized accrual of glass figurines.\r\nAlthough clearly unintended, the act precludes the shattering of Laura’s world due to her chagrin with her brother’s selfishness when he in the long run leaves her and her mother without any regard as to how they would survive without his support. In his selfishness, he neglects the feelings not only of his mother but also of his vulnerable sister Laura. Thus, it is in his omit of sense for his family’s situationâ€and his unfitness to answer to familial and societal expectationsâ€that Tom wishes to natural spring from his current world.\r\nIt is only practically later, as he is haunted by Laura’s memory, that he realizes that his actions have an jar not only on hi s life but on hers as well. His escape and abandonment of familial obligations to succeed â€Å"real-world adventures” therefore makes Tom feel guilty in particular of his sister Laura. In the end, Tom’s narrative is shaped not by the â€Å"real-life adventures” he sought and left his family for but by the uncertainty of Laura’s proximo after he abandons her and by the intimacy that his escape meant entrapment for her.\r\nThe Glass Menagerie therefore illustrates that while individuals have the right to pursue their bliss, this must be balanced with a clear sense of responsibility to others and to society as a whole. As the narrative of the main protagonist reveals, individuals cannot truly prepare happiness by attempting to escape from responsibilities or by letting their own happiness destroy the happiness of another person. Ultimately, individual fulfillment and mirth is attained from organism able to contribute to the happiness and contentment of others in the wider society one is in.\r\n'