The Stranger (The Outsider), Nausea, and Death on the Installment Plan :: comparison compare contrast essays

The Stranger (The Outsider), na utilizationa, and last on the Inst on the wholement visualize The Stranger, by Albert Camus, Nausea, by Jean-Paul Sartre, and Death on the Installment Plan, by Louis-Ferdinand Celine, all contrast themselves with internal texts that fail to represent the world competently. The Stranger includes the prosecutors floor of the murders as an incompetent text by refusing to support the motives he assigns. It contrasts itself with the prosecutors yarn in view of the excessive language of the prosecutor versus the simple account of Meursault. The Stranger similarly positions comments by Marie and Raymond as incompetent by secern their pity with the texts own view that no event is truly pitiable. Nausea positions a text by Balzac as incompetent because it assigns cause to events by using psychology and past time. The novel includes paintings of a wayward live and bourgeois grandfather as incompetent texts. Nausea also positions the Self-Ta ught Mans rendering of adventure as incompetent by arguing that adventure is a social construct. Death on the Installment Plan marks an effusive letter to Courtial as incompetent, in contrast with Ferdinands stance of reporting. It also positions Courtials pamphlets promoting an outdoor(a) education as incompetent by showing that they misrepresent Courtials intentions and ability. Death also uses Augustes letter to Ferdinand as an attempt to bend Ferdinand to the values of the bourgeoisie, which he questions. Each of the three texts increase its own verisimilitude through its implicit coincidence with inadequate internal texts. The Stranger contrasts its narrative of the murder of the Arab with the prosecutors narrative, in impairment of the faulty motives that the prosecutor ascribes to Meursault. The prosecutor provides a cause for each of Meursaults actions. Meursault summarizes the prosecutors example I had asked Raymond to give me his gun. I had gone back al one intending to use it. I had shot the Arab as I planned . . . And to make real I had done the job right, I fired four to a greater extent shots (99). However, the text does not assign these causes to the murder. As Meursault approaches the Arab, he realizes that as far as I was concerned, the whole thing was over, and Id gone there without even thought process about it (58).